Lovecraft described some of his creations in great detail. Others are described in ways that are give the reader a vague sense of the thing and leave the specifics to his/her imagination. And others are left as vague eldritch monstrosities, barely comprehensible to the human mind. Shub Niggurath is one of those. So she (it) can be depicted however seems most appropriate.
“Words could not adequately convey the repulsiveness of the thing. It was endowed with a trunk and great, uneven ears, and two enormous tusks protruded from the corners of its mouth. But it was not an elephant. Indeed, its resemblance to an actual elephant was, at best, sporadic and superficial, despite certain unmistakable points of similarity. The ears were webbed and tentacled, the trunk terminated in a huge flaring disk at least a foot in diameter, and the tusks, which intertwined and interlocked at the base of the statue, were as translucent as rock crystal.”
One of the reasons that I’m so fond of the so-called Cthulhu Mythos is its breadth and diversity. H.P. Lovecraft may have originated it but it has long since outgrown his writings. Howard Belknap Long was a writer who added to the Mythos during Lovecraft’s lifetime. His most notable creations are the Hounds of Tindalos and the fellow above, Chaugnar Faugn. All of Lovecraft’s work is in the public domain, easily found and therefore easily read. Long’s work is still under copyright and, because Long has not retained a lot of posthumous popularity, requires some effort to track down. As far as I can tell, the Seattle Library has nothing by him in its collections. As such, I haven’t read The Horror from the Hills, the story that first features Chaugnar Faugn.
But what the hell, I have read T.E.D. Klein‘s Black Man with a Horn, featuring a version of Chaugnar Faugn that only vaguely resembles the original, and I felt like drawing an eldritch abomination so … here he is.
Back in 2011 I illustrated two stories for THE AKLONOMICON, an anthology of Lovecraftian stories and poems. The print run of the book was very limited and it has long since sold out. Sadly (for me) I only have a PDF of the book, not a print version. PDFs and ebooks may be the way most things get published (now and) in the future but I can’t put them on my shelves so they just don’t seem real.
Below is my illustration for “If Company Should Come” by Edward Morris. I don’t think the story has seen print yet anywhere else. That’s unfortunate. Ed is fine fellow and his way with words makes me very very jealous.
Here are some of the sketches I plan to turn into colored illustrations over the next few months. No doubt I will get distracted and work up new sketches before all of these get completed. I’ve also started work on a graphic novel commission that I expect will take up most of the time that isn’t currently filled by my day job. This week I’m just posting these previews and a few other, older illustrations that haven’t made it to this site yet. There may be some weeks where I don’t post. Hopefully not but …