When Shoggoths Knew Their Place – Color


When Lovecraft wrote his stories in the 1920s and 1930s the world still seemed to be full of hidden, unexplored places. Hidden cities and lands forgotten by time seemed possible. Now, in 2017? The world is mapped. Maybe not completely but with enough detail that any current Cthulhu Mythos authors have to work harder to explain how a place manages to stay undetected. “The government is covering it up” might work for something relatively small that exists within the borders of that country but how would “they” cover up the existence of an entire city (much less a range of mountains taller than the Himalayas) on a continent that is owned by no one? That would require a lot of cooperation between governments and a lot of people who are willing to be silent about that cooperation.

Some authors suggest that the Mythos entities hide from us. That seems unlikely. They can travel between the stars. Some of them can travel between the places between the places between the stars. We can’t be a threat. So if they’re hiding, perhaps they’re hiding from each other. Or from something even bigger and scarier.

When Shoggoths Knew Their Place – B&W

In At the Mountains of Madness by H.P. Lovecraft a group of antarctic explorers discover the evidence of an ancient, prehuman civilization. While exploring the ruins of a vast and abandoned city the explorers find and interpret a series of carvings and hieroglyphs that seem to tell a history of both the “Elder Things” and, basically, the evolution of life on Earth. I say “seem to tell” because the explorers are only able to spend a few days in the city and are forced to leave it under terrifying and sanity disturbing circumstances. Their understanding of the story told in the carvings shouldn’t be assumed to be perfect. It might be missing important information. It might be completely wrong. Human beings have a hard enough time understanding the languages and art left by extinct human cultures. It’s unlikely that a human could get an accurate reading of non-human culture without being able to interact with representatives of that culture.

That’s one of the things that I enjoy about the Cthulhu Mythos. Humanity and the Earth itself are not central. Sure, most Mythos stories feature human protagonists and deal with human adventures but that’s because human authors are writing the stories for human readers. But the Mythos features beings and species and civilizations that existed long before mankind learned to make fire and who will exist long after mankind’s story ends. Earth is just one of the places these creatures have visited. The Universe is vast and full of strangeness and wonder. (Or terror and madness, if you’re a xenophobic New Englander.)

The Elder Things came from the stars to the Earth, presumably, before fish evolved in the seas. Their civilization here lasted for millions of years. That civilization might continue, somewhere in secret, here on Earth. In all likelihood there are Elder Things civilizations scattered across this and other galaxies. If humans made it out to the stars, would we find the Elder Things welcoming? Threatening? Dismissive? All of the above?

Chaugnar Faugn – Color

Chaugnar Faugn Color

“Words could not adequately convey the repulsiveness of the thing. It was endowed with a trunk and great, uneven ears, and two enormous tusks protruded from the corners of its mouth. But it was not an elephant. Indeed, its resemblance to an actual elephant was, at best, sporadic and superficial, despite certain unmistakable points of similarity. The ears were webbed and tentacled, the trunk terminated in a huge flaring disk at least a foot in diameter, and the tusks, which intertwined and interlocked at the base of the statue, were as translucent as rock crystal.”

Frank Belknap Long, “The Horror From the Hills

Chaugnar Faugn – B&W

Chaugnar Faugn BW

One of the reasons that I’m so fond of the so-called Cthulhu Mythos is its breadth and diversity. H.P. Lovecraft may have originated it but it has long since outgrown his writings. Howard Belknap Long was a writer who added to the Mythos during Lovecraft’s lifetime. His most notable creations are the Hounds of Tindalos and the fellow above, Chaugnar Faugn. All of Lovecraft’s work is in the public domain, easily found and therefore easily read. Long’s work is still under copyright and, because Long has not retained a lot of posthumous popularity, requires some effort to track down. As far as I can tell, the Seattle Library has nothing by him in its collections. As such, I haven’t read The Horror from the Hills, the story that first features Chaugnar Faugn.

But what the hell, I have read T.E.D. Klein‘s Black Man with a Horn, featuring a version of Chaugnar Faugn that only vaguely resembles the original, and I felt like drawing an eldritch abomination so … here he is.

If Company Should Come

Back in 2011 I illustrated two stories for THE AKLONOMICON, an anthology of Lovecraftian stories and poems. The print run of the book was very limited and it has long since sold out. Sadly (for me) I only have a PDF of the book, not a print version. PDFs and ebooks may be the way most things get published (now and) in the future but I can’t put them on my shelves so they just don’t seem real.

Below is my illustration for “If Company Should Come” by Edward Morris. I don’t think the story has seen print yet anywhere else. That’s unfortunate. Ed is fine fellow and his way with words makes me very very jealous. 417944_10151426470637695_1856986539_n

Preview Sketches

Here are some of the sketches I plan to turn into colored illustrations over the next few months. No doubt I will get distracted and work up new sketches before all of these get completed. I’ve also started work on a graphic novel commission that I expect will take up most of the time that isn’t currently filled by my day job. This week I’m just posting these previews and a few other, older illustrations that haven’t made it to this site yet. There may be some weeks where I don’t post. Hopefully not but … minisketches2017001 minisketches2017002 minisketches2017003 minisketches2017004

A Quiet Morning with the Damned – Color


The more I think about it, the less likely it seems that these folks would get together protect humanity from … anything. So what are they doing? Wilbur might still be interested in calling his “father” to Earth but I doubt that Frank (I’m just going to call him that – typing “the Frankenstein Monster” every time is tedious) or Helen would think that was great idea. Maybe they are planning a heist?

A Quiet Morning with the Damned – Black and White


I didn’t plan to post this image on Christmas Day. I schedule posts for Sundays and Wednesdays. I finish coloring an image and then put both the black and white version and the color version into the queue. I finished coloring this one on November 7th. The next available slot for posting was today.

Three beings of improbable, one might even say miraculous, birth sharing fellowship. We are all monsters to someone. And we all need a place to call home, if only for moments. So, no, I didn’t plan to post this image on Christmas Day but it seems like an appropriate choice.

Merry Christmas to all you monsters. May you have rest and companionship today. Amen.