Skook WIP #17

Open on: the Skookworks studio. The Cartoonist sits in front of his computer. He is typing. A black cat is slumped on his lap. It’s impossible to tell the time of day. The room has no windows. Two of the walls have built-in floor to ceiling bookshelves. The desk on which the computer sits is cluttered with scraps of paper and pens. The drawing table next to the computer is similarly cluttered but with a different variety of pens and pencils and the papers have more art on them.

The Salesman wanders in.

Salesman: “Hey.”

The Cartoonist doesn’t look up. Cartoonist: “Uhm?”

Salesman: “Did you listen to the Planet Money podcast about buying a superhero?

The Cartoonist stops typing. He looks at the Salesman. Cartoonist: “Of course I did. We’re the same person. If you’ve done something, so have I.”

The Salesman rolls his eyes. Salesman: “For a guy with a lot of imagination you’ve got a narrow focus. Just pretend we’re two people so I have something to write about in this week’s newsletter.”

The Cartoonist rolls his eyes in exactly the same way the Salesman had done. Cartoonist: “I’m writing the newsletter while we’re talking. So keep talking.”

The Salesman frowns. Salesman: “Why isn’t the Writer writing the newsletter?”

Cartoonist: “We can only be so many people before I get confused. Let’s stick to the point. Or find one. What about the Planet Money thing did you want to talk about?”

Salesman: “What do you think?”

Cartoonist: “I think the Archie comics guy was right, Micro-Face is a terrible name.”

Salesman: “Not that. What do you think about us digging up our own public domain superhero?”

Cartoonist: “Another one? We’ve already got five. What do we need another for?”

Salesman: “All of our guys have been used by other people. Why not grab a more unknown character and use that?”

The Cartoonist stares at the Salesman. The cat yawns and adjusts its position slightly.

Cartoonist: “Having some recognition helps us doesn’t it? These characters all have some reputation outside my drawings. A more unknown character might as well be a completely new character.”

Salesman: “Have you at least looked at the Public Domain Superheroes catalog?”

Cartoonist: “I’ve looked there and at this list. It’s easy to get overwhelmed. There are thousands of characters listed. Lots of gods and goddesses from old myths. Lots of daring aviators. Lots of folks who wear masks to fight crime. Lots of Flash Gordon wannabes.It’s fun to look but it’s hard to get more than a glimpse at any one character.
And I think the public domain status of some of the characters is questionable. The lists were put together by fans not copyright lawyers. I’d rather not get inspired by some character, do up a bunch of designs and then get sued. That’s not fun.”

Salesman: “I’m just trying to figure out an angle to take to promote our work. It’s … weird.”

Cartoonist: “Isn’t that an angle. ‘Weird stuff’?”

Salesman: “There’s a lot of weird stuff online. I’m trying to figure out a more focused branding to use.”

The Cartoonist makes a crumpled up paper sort of expression. Cartoonist: “Do you have to use the term ‘branding’? Isn’t that outdated by now?”

Salesman: “I googled it before you typed my dialogue. It’s still in major use.”

Cartoonist: “I hate marketing catchwords.”

Salesman: “Deal with it. You’ve got to play the game to get rich.”

Cartoonist: “A. If we’re trying to get rich we’re going about it wrong. B. We’ve got a day job to pay the bills so we’re doing this for the fun of it.”

Salesman: “You’re doing this for the fun of it. I want us to be rich.”

Cartoonist: “You’re only a tiny part of our personality. The rest of us doesn’t care about being wealthy. Some parts of us are morally opposed to great wealth.”

Salesman: “The Mail Carrier wouldn’t mind retiring. Soon.”

Cartoonist: “He does have an exhausting job. And I would enjoy spending more time drawing.”

Salesman: “Right! So I’m trying to figure out a more focused branding for our merchandise. The stuff in our stores is all over the place. Cute cartoon animal greeting cardsThe Mighty NizzCthulhu stuffOne-off scifi and monster illustrations. I’m thinking we’d better off having a half a dozen more directed stores instead of a couple general ones.”

Cartoonist: “Have you wandered off the point? I thought we were talking about our superheroes.”

Salesman: ” …. Right. So we’re not going to revive some obscure public domain character?”

Cartoonist: “Not today. Our stores are a jumble because we just jumped in and started putting them together with what we had on hand. We’re past that stage now. I’m designing images for the available merchandise. I’m having fun. I’ve got plans for Stardust, Octobriana, the Heap, Fantomah and the Face.”

Salesman: “Are you doing new comics?”

The Cartoonist makes that crumpled paper sort of expression again. The cat hops off his lap and wanders out of the studio. Cartoonist: “Ask me that when the Mail Carrier has a long vacation. Comics take time and concentration and those are rare commodities in this studio. Meanwhile, I’m working on some fun designs.”

Salesman: “Fun designs that I’ll be able to sell?”

Cartoonist: “They’ll be designs I’d want to wear myself.”

The Salesman sighs. Salesman: “More weird and obscure things? You hate me, don’t you?”

These Days …

Happy Friday! Thank you for dropping by.

This issue is a shorter one, a bit of breather between finishing the greeting card conversions and starting discussing the next phases for the online shops.

It’s been a weird couple of weeks. If you read my last newsletter you know that we (me, my wife and our housemate) have been quarantined because our new housemate is recovering from covid. The responsible thing to do after exposure is to stay away from other people for 14 days. So no work outside the house. No delivering mail.

Last week I was in a bad mood. I like my routines. This wasn’t in my plans. It wasn’t a vacation. I may have complaints about the number of hours I work at USPS but working there gets me the paycheck to fund the rest of our life. Not going to work makes me nervous. Not going to work because there’s a potentially deadly disease in my living space adds to that discomfort.

This week I was in a lighter mood. Our housemate has been getting better. Neither Sarah nor I have had any symptoms of covid.

I’ve been able to use the home time to get a lot of designs completed for my shops. Chemo, the black cat, has been acting as my executive assistant. He was waking me up at 3 am before quarantine and he has continued to do so now. Most of the new work is available now in my Redbubble store. I’m really happy with how the new stuff has been turning out. I’m enjoying the challenge of creating images that both suggest stories and look good on t-shirts (and mugs and blankets and shower curtains and phone cases and ..). I will be showing the process steps for each design in upcoming newsletters.

We’ve been rearranging the space a bit so our new housemate has room for her own stuff and has a place to work on her paintings. We’ve been giving away furniture. Chemo and the new grey cat, Flax, have been getting along.

We plan to all get tested for covid tomorrow or Sunday. Assuming we’re clear I’ll be back delivering mail next week. I’ll be getting my second Pfizer vaccine the week after that.

Yay.

I hope that things in your world are looking bright. If you need to wear shades, put them on. Everyone looks cooler in shades.

See you next week!

Skook WIP #12

Is it Friday again? Time flies! And occasionally stumbles. I’m still adjusting to, and complaining about, the time change. I do like that my phone and my desktop don’t require me to update their clocks. It would be handy if the rest of my timepieces adjusted themselves on their own but I really don’t need more objects connected to the web.

Thank you for joining me again. I hope you are well and happy.

Greeting Card Conversions

We start, as usual, with the before (scans of the original hand drawn art) and after (digitally corrected and edited for print) versions of the greeting card designs I’m posting in my Zazzle store.

Hil(arity)raiser

You’ve solved the puzzle and summoned the tormenter. Your giggles will be legendary even in Heck.

Keep your shoes on! Wear a heavy sweater! Stomp your feet and protest. He can only tickle you if you let him. Bunny cenobites require consent to torture you. They’re polite that way.

Out for a Stroll

Spring is on its way. So I’m told. It’s a mix of rain and sun and warm and cold here in Seattle. Dressing for the weather means taking a gamble at being too hot or too cold, often on the same day. But, heck, you might as well dress to show off and take your chances. You’ll look good for a few minutes at least.

Every season has its moments. Enjoy them as they come.

Fancy a Game of Catch?

After spring comes summer and with summer comes baseball! Teamwork! Batting! Throwing! Catching! Running! Yelling at the umpire! Nothing more American than yelling at some guy for having the wrong opinion.

Make sure to pick that frog kid for your team. He’ll never let a fly get past him.


A Dragon Indeed

This critter doesn’t hoard gold or diamonds. His favorite treasure is cookies. He doesn’t eat them. He takes them back to his cave and stacks them in neat piles. Then he sighs with satisfaction.

Chocolate chips. Oatmeal raisin. Peanut butter. Coconut maroons. He loves them all. They may get stale but they stay free of ants. When they show up the dragon eats them. He likes their spiciness.


The Panel Jumper Does Octobriana and the Heap

I got an email on Sunday from Cole Hornaday reminding me about his Panel Jumper series of videos. The main videos are neat little documentaries about various aspects of comic book history. In particular he has episodes focusing on two of the weird heroes I’ve appropriated for … whatever …
Click these links for histories of:
Muck Men (including the Heap)
Octobriana

After you’ve checked out those videos spend some time listening to the Perfect Bound podcast. It’s an entertaining and informative way to spend your quarantine!

Face the Face

The Face had a simple premise: radio announcer Tony Trent puts on a scary mask to fight crime. I like the basicness of the concept. Trent had no supernatural powers and his adversaries were primarily just ordinary crooks. The Face was featured in the anthology Big Shot Comics, appearing in 62 stories. In issue 63 Tony Trent stopped wearing the mask and went on to have another 40 adventures until the Big Shot was cancelled with issue 104.

This is the third time I’ve spent time (re)designing the Face. I did one version here and a second here.

I started with the idea that I was going to just update that second version but it wasn’t clicking. It didn’t look scary. So I went back to the original Big Shot design – short hair, no eyebrows – and played around with different variations..

I do like the horrifying version with all the exposed teeth but I ultimately decided on a look that wouldn’t require a lot of prosthetics (or magic) to pull off.

The original Face fought crime while wearing a blue tuxedo. It’s not a bad style. I went with a brown suit that, I think, more emphasizes the weird green and red mask. In the 1940s wearing a tuxedo made the Face stand out. Suits were the standard uniform of even the lower classes. These days suits are less common so fighting crime in one would be unusual. And, to me, more comfortable than the spandex and leather that most superheroes put on. I also think that, these days, a plain brown suit makes the Face look more like a middle class crime fighter. I get that the “hero with a secret identity” originated with rich guys (The Scarlet Pimpernel, ZorroBatman) but I’m not a rich guy and, the older I get, the less sympathy I have for rich guys.

I honestly don’t know what, if anything, I’ll do with the Face but now I have a standard version to use.

News from the Night Forest

A couple of updates on the Mighty Nizz project –
Sarah wrote a vignette and it’s live on the site.
Unless something goes wrong, Nizz will be the star of my 2022 calendar. Zazzle has a calendar template that I should be able to make work for my preferences. I’m hoping I can customize the template to include people’s birthdays but I haven’t really looked at that yet. I will update you as I figure it out.

These Days …

Last week I forgot to do an “Influences” section. This week I’m sort of putting that section and this one together. After I’d written about Bill Peet I thought about other chlidren’s book authors I might want to feature and, of course, Dr. Suess came up. His books were ubiquitous for kids who grew up when I did. Obviously his work had some influence on me.

Right?

At first my answer was, “Kinda. Sorta.”

I don’t remember wanting to draw like Suess. I couldn’t remember any specific Suess story that had an impact on me. I remember How the Grinch Stole Christmas and Horton Hears a Who from the cartoon specials rather than the books from which they were adapted. I’m sure the absurdity in his stories and art had an impact but I couldn’t come up with anything specific.

And then it was announced that some Dr. Suess books are no longer going to be printed. My first thought was, “Which books?” because the first few memes I saw didn’t say. Being a someone who prefers to know what he’s getting upset about I did some research and found the list –
1. And to Think that I Saw it on Mulberry Street
Marco watches the sight and sounds of people and vehicles traveling along Mulberry Street and dreams up an elaborate story to tell to his father at the end of his walk.
2. If I Ran the Zoo
Gerald McGrew visits a zoo and finds that the animals are “not good enough” and describes how he would run the zoo. He would let all of the current animals free and find new, more bizarre and exotic ones.
3. McElligot’s Pool
A boy named Marco is ridiculed for fishing in a small, polluted pool, and tries to justify himself by imagining the fish he might catch
4. On Beyond Zebra
The young narrator, not content with the confines of the ordinary alphabet, invents additional letters beyond Z, with a fantastic creature corresponding to each new letter.
5. Scrambled Eggs Super
A young boy named Peter T. Hooper spins a tale of an incredible meal he created by harvesting the eggs of fantastically exotic birds.
6. The Cat’s Quizzer
The Cat in the Hat asks many, sometimes ridiculous, questions of the reader.

Of the six on the list I remember having read the first four. I don’t remember much about them. The summaries I’ve included came from the Suess Bibliograpy wikipeda page. I don’t remember racist imagery in the illustrations but when I was a kid I wouldn’t have noticed much. There was enough racist imagery all around me that such illustrations probably seemed normal. I was a white kid growing up in a mostly white community. I didn’t see a lot of examples of other races and cultures. The human beings in the good doctor’s illustrations were all pretty cartoonish. I didn’t have the awareness to know the difference between generally cartoonish and offensively cartoonish.

I did feel disappointment in hearing that some of the Suess catalog would go out of print. I especially felt a twinge over the loss of Mulberry Street. That was Suess’ first published kids book and had been rejected by multiple publishers before it debuted in 1937. It had been an example for me of success through determinated effort. I’m also attached to the idea that a book I liked once would be available for me to read again someday. But books go out of print all the time. Most of the books on my shelves right now are out of print. Before print on demand, most books got one, maybe two print runs and that was it. Mulberry Street was in print for EIGHTY-FOUR years. The Cat’s Quizzer, the most recent of the books, first saw print in 1976. I’ve had plenty of opportunities to buy a copy of it or any of those other Suess books.

Theodore Guiesel aka Dr. Suess passed away in 1991. His widow, Audrey Guiesel, passed away in 2018. His books and the licensing of his characters is now managed by Dr. Suess Enterprises. It’s a nonprofit company but it exists in a capitalist world. It’s a property management company. They could have had the books edited to change or remove offensive content. Suess himself did it slightly once with Mulberry Street. I’m sure there would have been outrage at that. But the money to made with Suess’ work isn’t in publishing books. It’s in licensing. Licensing for toys, film and television adaptations, games. It’s in recognizable characters like the Cat in the Hat, Horton the Elephant, the Lorax and other non-human creations. Those characters can be sold to any parent of any race and ethnic background. Those characters can be marketed internationally.

It’s been over a week since the announcement and the internet has moved on to other outrages. I have a lot of time to think while I deliver mail and I’ve devoted more time to thinking about Suess in the last couple of weeks than I have in the last twenty years. I realized that, yes, I did have some favorite Suess stories. The 500 Hats of Bartholomew CubbinsBartholomew and the OobleckGreen Eggs and Ham. The Pants with Nobody in Them. Horror stories for children

Most folks probably wouldn’t consider them such. They all have happy endings. I don’t remember if any of those stories gave me nightmares but they are fuel for such. Pants, in particular, has haunted me through the years. I’d forgotten about Bartholomews adventures until I read the Suess bibliography. Pants was a story that I’d use as an example of a really creepy children’s story. I was disappointed to discover that it’s not actually titled The Pants with Nobody in Them. The proper title is What Was I Scared Of? That telegraphs the pleasant resolution. I did remember that the pants and the narrator became friends. But I remember more the disturbing idea of being stalked by a piece of empty clothing.

I don’t need to own those books. I need to let go of a lot of the books I own now. I love having a big library but eventually we’ll have to move and it will be a lot easier to do that with a lot less books. Those Suess books that are no longer being published will, sooner or later, enter the public domain. Mulberry Street will do so in twelve years, in 2033. At that time anyone will be able to publish the story. They can publish the original version. Or they can redo it to fit their own taste. It will be interesting to see the variations we get.

In the meantime, I hope you own the books you love and you have time to read them. See you next week!

Tuesday Night Party Club #29

Gallery: Coloring An Inner Darkness

An Inner Darkness is one of Golden Goblin Press’s supplements for the Call of Cthulhu RPG. The scenarios deal as much with real, historical human evil as they do with the spectres of the Cthulhu Mythos. The book is profusely illustrated by Reuben Dodd. As production on the book neared completion, I was asked to color one of the illustrations in each scenario for a total of six. Mr. Dodd does fine color work but he’d already moved on to other projects. The editor, Oscar Rios, sent me tifs of the chosen illustrations and I set to work.
This is the first time I’ve colored anyone else’s artwork.The illustrations are clearly designed to be in black and white. So the trick was to add color without having that color clash with the linework – enhance not compete. For this specific illustration I started by chosing a set of flat colors that I thought emphasized the depressing nature of the situation – yellows, greys and sickly green. Once the main colors were chosen I added light greytones to indicate shadow and contour. I used the orignal linework as a guide for my light source. I’m happy with the results. I’m even happier that Reuben liked them too.

Story Seed #48
This Face Knows Your Secrets

A wealthy businessman turns himself in to the authorities. He’s come to confess his involvement in a money laundering scheme. It had started out simply, just cooking books, some shady investments, but it grew to covering up greater crimes including kidnapping and murder. The businessman is terrified. Not of his partners. They’re scary people but they’re just people. He’s afraid of the Face he sees in every reflective surface. The Face that stares at him knowingly from the windows of the building across the street. The Face that mouths truths to him before he can look away. The Face that no one else sees. 

The Face was a crime fighter from the early days of comic books. From 1940 to 1946, reporter Terry Trent would put on a fright mask and go beat up bad guys. Other than a scary disguise, Trent had no super powers. Due to the vagaries of copyright The Face is a public domain character.

I’m suggesting a couple different new versions:

  1. The Face is an actual supernatural entity. It appears before evildoers and torments them until they, out of fear and greed and their own stupidity, are undone. Sometimes they turn themselves in. Sometimes they destroy themselves trying to escape the Face. The Face rarely appears physically. Mostly it manifests as shadow or a reflection where there should be neither. Sometimes it’s a voice telling secrets. Perhaps it has been summoned by one of the evildoers victims. Perhaps it picks its targets on its own.
  2. The Face is the creation of a team of actors, hackers, make-up and special effects artists who use it to bring justice to those too rich and powerful for the law to successfully prosecute. Perhaps they originally created the character to get revenge on one untouchable man and then, once they succeeded, they decided to go after other targets. Their M.O. is similar to the supernatural version of the Face, they work to get evildoers to undo themselves.

Recommendation – Zebragirl

Zebragirl by Joe England is/was one of the first webcomics I followed. It tells the tale of Sandra Eastlake after her accidental transformation into a demon thing. The series ran from 2000-2018. The early strips are crude in comparison to the later ones but I find the evolution of the art interesting to watch. The story is now complete although England still adds the occasional postscript strips.

Local News – Postal Slang

A lot of jobs have their own slang, a jargon that only makes sense to people who do that job. I work for the Post Office as a letter carrier. These are some of the words and phrases that are otherwise nonsense to civilians.

Throwing Parcels
This is what the clerks do at the beginning of the day. Pallets loaded with parcels come in. The clerks bring the pallets into the station and center them in the middle of an network of hampers, one hamper for each route. They scan each parcel to indicate that it’s been received and then literally throw the parcel into its appropriate hamper.

Hot Case
There’s a case in the center of the station with cubbies for each route. The carrier put missorted mail into large general cubbies and the clerks sort that mail into the proper route cubbies. The carriers are supposed to empty our cubbies before we pull down our routes.

Pull Down
Each route has its own a case – a couple of racks with slots labeled for each address on the route. At the beginning of the day we sort mail into those slots. When we’re done sorting we pull down each swing and put into a tray. The trays go out to our trucks.

Swing
A swing is, generally, a block of mail. That is, it’s the mail for a block on a street. Usually it takes 15 minutes to deliver a swing. Usually. Time varies depending on whether the swing is mounted, a cbu, or a park and loop.

Park and Loop
A Park and Loop is a swing that is delivered on foot. The carrier generally parks their truck at one end of the block and then delivers up one side of the street and down the other in a “loop”.

Mounted
Mounted deliveries are those that can be done without leaving the truck. The carrier drives along a street and delivers to mail boxes at the side of the road. In some areas, all the routes are mounted.

CBU
A CBU is a Cluster Box Unit – a set of mailboxes that can be opened with a single USPS proprietary key. The carrier opens a single door and is able to deliver to all the boxes that are part of the unit.

Car Hop
A Car Hop is a delivery that is usually separate from other deliveries – a single address on a street,. Sometimes a swing consists of a series of car hops, single deliveries down one side of a street.

Deadhead
A Deadhead is a street with addresses on one side that is delivered on foot. The carrier parks the mail truck, delivers to the addresses on foot and then walks back past those addresses to return to the truck.

Long Week (Iron Week)
Postal employees have rotating days off. One week a carrier might have Monday off. The next week Tuesday. Then Wednesday and so forth. The Long Week is our six day work week from Monday to Saturday.

Long Weekend
The Long Weekend is the one where our scheduled Friday off and our scheduled Saturday off and our scheduled Sunday off happen consecutively and we get three days off in a row.

CCA
CIty Carrier Assistant. These are the folks who are delivering mail while waiting to become “career” i.e. permanent employees. They’re the carriers in training. The substitutes. They deliver whatever route needs delivering. They work overtime whether they want it or not. They work Sundays delivering packages for Amazon. They have no consistent day off. I was a CCA for about a year and a half before I made “career”.

Office Time
Office Time is the time a carrier spends sorting mail, setting up and pulling down their route. Management has a series of metrics that they believe reflect that amount of time that a carrier should use as “office time”. Those metrics are accurate so long as the mail arrives on time and in proper order, there are no emergencies and the carrier remember to clock to street time whenever they are not doing office time things.

Street Time
Street Time is the time spent sorting parcels into the truck, loading mail into the truck,  and then delivering the mail. Street time is more fungible than office time.

DPS
The DPS is the mail – letters and postcards and small flyers – that comes from the local mail sorting plant. The DPS should be sorted for line-of-travel and therefore the carriers shouldn’t need to sort it before taking it out to our trucks. I have about 170 active delivery addresses and I average about 1400 pieces of DPS for my route. Since the coronapocalypse the DPS numbers have gone way done. I’ve had a couple of days when I had less than 325 pieces of DPS.

LIne of Travel
The line of travel is the order in which a route is delivered

Nixies
I don’t remember what Nixie is an abreviattion for. A Nixie is a piece of mail that we can’t deliver on our route. Maybe that letter belongs on another route. Maybe it”s addressed to someone who doesn’t live at the address on letter. Maybe the address doesn’t exist. We bring the undeliverable mail back to the station and put in the clerk’s throwback case for sorting.

____

Stay safe. Be smart. Look after each other. Remember to dance.

Making Another Face

According to Wikipedia: The Face first appeared in the Columbia Comics omnibus title Big Shot Comics #1 (May 1940) and continued until issue #62 (January 1946). The Face is radio announcer Tony Trent, who decides to fight crime after having witnessed a murder committed by gangsters disguised as cops. Having no innate superpowers, he instead uses a frightful mask to scare criminals, not unlike Batman. With issue #63, he no longer wears the mask and fights crime as himself until Big Shot #104, the last issue of the series.

Assuming that The Face appeared in every issue, that means there were at least 62 stories about the character. I find that mystifying. And therefore fascinating. I did an illustration a while back that featured The Face. I took some liberties with the character’s design and made his mask uglier than its original design. I took liberties again with this new version.

Face the Fists of the Face – Black and White

thefacebw

The Face was one of those costumed crime fighters that populated comic books in the 1940s. He had no super powers. He was just a guy who wore a scary mask and, presumably, punched bad guys. I say “presumably” because I’ve never gotten around to tracking down and reading any stories that featured the character. If he had eaten the bad guys I might be more interested.

With that intro, one might ask why I spent the time to do an illustration of him.

I see potential in the idea?

It seemed like fun?

What the hell?